"The concept of virtualizing music through artificial means just blew people away. It wouldn't take long before Synthesizers started becoming self-aware and roaming through the streets of LA looking for Sarah Connor."
Hasznos dolgok helyett itt olvasom az elektronikus zene történetét, tök vicces.
"Yeah, this guy fucking predicted the motherfucking internet at a time when there were only six computers in the entire world, and four of them only knew how to decode secret Nazi messages, store recipes, and decode secret Nazi recipes and store them. "
Az elektronikus zenébe mélyedést talán kezdheted a Fischerspooner nevű csapattal ( www.fischerspooner.com/ ). Én eletropopnak mondanám, amit csinálnak, de lehet, hogy csak azért, mert nem értek hozzá.
Az így elindított megismerési folyamat felénél-harmadánál már a beavatottak mosolyával tudod olvasni az olyan szakelemzéseket, mint ez is:
"You'd think they'd be really good at it, what with Kraftwerk starting the whole unfeeling, mechanicalistic techno paradigm in the first place. But in truth German Techno sounds a lot like Tech Trance. Or Techno Trance. Trancey techno, if you will. If it's the full-on, hardened percussive stuff you're looking for, you're better off skipping this and just heading over to the Swedish guys, who do it a lot better. There is a really abrasive, swedish-techno-sounding sub-subgenre, however, that has emerged called "Schranz" (whatever the hell that means). It is particularly good. You can tell which ones are which. Or maybe you can't".

It also doesn't hurt that robots are so totally wicked fucking awesome. :D Ez különösen tetszik. Benne van, hogy miért a Kraftwerk a legnagyobb popzenekar, ever. Már azon túl persze, hogy kreatívan nyúlják Haydn-t.